#super 8 viewer

[christinered]

This was with my stuff and I've got the box and instructions too. Nice.

I don't remember owning this.

I do have a projector and some 8mm. Family movies.

This is cool.

~Red

[leclerc-hs]

73 Questions with Mrs. Leclerc - cl16

pairing: husband!charles leclerc x fem!reader summary: in which you do a 73 questions interview with Vogue OR charles can't help but third wheel your interview warnings: none??? just cute fluff basically, NOT PROOFREAD word count: 2.1k author's note: I actually got a request by someone to do this and thought it was such a CUTE idea and concept. I obviously didn't do ALL 73 questions cause that would've taken forever. But thought this was a cute little piece to do. I hope you enjoy and don't forget to let me know what you think don't be shy !! xoxo

✦ . 　⁺ 　 . ✦ . 　⁺ 　 . ✦ ✦ . 　⁺ 　 . ✦ . 　⁺ 　 . ✦

THE DELICATE FOLDS of the pale pink sundress fluttered like petals in a gentle breeze, framing your figure with a soft, ethereal elegance. As the front door yielded to the push, the fabric danced around your legs, caressing the tender skin of your thighs with a whisper of touch. Your radiant smile illuminated the scene, a beacon of joy amidst the fluttering fabric and nervous flutter of butterflies in your stomach.

“Hey!” The male voice chimed brightly, his tone cheerful as a songbird greeting the dawn, echoing through the air with an infectious energy that mirrored your own bright smile.

“Hey!” You respond with effervescent warmth, your smile stretching across your face like a sunbeam breaking through clouds. With a graceful gesture, you swing the door open wider, revealing the inviting warmth of your home’s foyer. The soft light spills in, casting a golden glow over the polished floors and elegant furnishing. The first thing to notice is the giant painting of a Ferrari Formula One car, hung high above the entry way table.  

“Look who we have here! It’s Mrs. Leclerc!” A delicate blush warms your cheeks, a subtle reminder of the tender affection that tingles within you whenever you’re addressed as such. Though you and Charles have been together for many years, your marriage has infused your relationship with a fresh sense of intimacy and closeness. And despite that it’s been almost five years, the title of “wife” feels forever new and unfamiliar.

“On a scale of 1-10, how excited are you about life right now?”

“I would say 8, so I’m super excited!” With a gentle click, you shut the front door behind you, enveloping the foyer in a tranquility as you made your way down the hallway to the kitchen. Along the way, you stooped to pick up a scattering of children’s toys that lay scattered like confetti on the polished wooden floors, offering a quick apology for the perceived “mess.” However, you couldn’t help but inwardly smile at the orchestrated chaos around you. While the house was meticulously maintained by the cleaning company before the video shoot, every detail was carefully curated to strike the perfect balance between lived-in warmth and elegance, ensuring a setting that felt both inviting and authentic to you and the viewers.

“Any reason for that?”

In the heart of the home lies a kitchen adorned with a stunning green cabinet motif. The cabinets, painted in a rich emerald hue, exude an air of sophistication and charm, perfectly complemented by gleaming brass hardware. Sunlight filters through the vast array of windows, casting a warm glow over the polished marble countertops. 

“You mean other than the fact that the kids go back to school soon?” You and the interviewer let out a soft laugh as you made your way behind the kitchen island, opening the fridge in a smooth motion to pull out a water bottle. “Want one?”

“No, but thanks though!” His voice is light-hearted. 

As the fridge door remains open, a tantalizing glimpse is offered to the audience of its well-stocked interior. A colorful array of fresh produce fills the shelves, showing an abundance of vibrant fruits and crisp vegetables. Among the healthy offerings, assortment of juice boxes catches the eye, adding a playful touch to the wholesome scene.

“That’s a lot of juice boxes you have in there.” He makes a comment, it’s not a question, but you take it as one.

“Two kids and a husband,” You start, your tone light and casual before lowering your voice into a conspiratorial whisper for the camera, “who practically is also a kid, results in a lot of juice boxes.” With a playful wink directed at the lens, you punctuate the statement, adding a touch of humor to the scene. Setting the water bottle down on the expansive kitchen counter, you resume your easy demeanor, effortlessly blending candor and charm for your audience.

“Hey!” Your head shoots over, the camera seamlessly following your gaze to where Charles, your husband,sits on the floor of the living room, two of your kids, aged two and three, beside him with an abundance of toys strewn about. “I heard that!” Charles retorts with mock offense, a playful grin lighting up his face as he joins in the banter.

The living room exudes a chic sophistication with a distinct Formula One flair. Charcoal-gray walls provide a sleek backdrop, accentuating the mounted flat-screen television. A striking statement piece dominates one corner—a display of artwork showcasing all of the racetracks Charles has conquered – infusing the room with a sense of triumph and energy. A plush white sofa, adorned with an array of vibrant red pillows, invites relaxation and style. Across the room, a sizable shelf proudly showcases a collection of racing helmets, some belonging to Charles and others gathered over time, adding a personal touch to the space. Below the television, was a long console table that was adorned in various plants and photos of your family. You couldn’t help but smile as you glanced at them.

With a casual wave of your hand, you dismiss Charles’s playful interruption, maintaining your position at the kitchen island as the camera refocuses on you. The gesture carries an air of affectionate familiarity, a gentle reminder of the dynamic energy that permeates your bustling household.

“If you could do a love scene with anyone, who would it be?”

“Definitely Austin Butler.” You answer almost immediately, no hesitance in your voice.

“Hey!” Charles’s playful yelp echoes through the room once more, accompanied by the joyful laughter of your children. One nestled in his lap, the other engrossed in a picture book, their presence adding warmth and vitality to the room. You share a knowing smile with Charles, the affectionate banter a familiar melody to your family life.

The laughter of the interviewer joins the playful exchange. The camera effortlessly captures the dynamic interaction between all of you with ease.

You roll your eyes playfully, “Restez en dehors de ça.” Stay out of this!

“Arrête de faire semblant de vouloir faire l’amour avec quelqu’un d’autre que moi!” Stop pretending you want to make love with anybody but me!

With a mischievous gleam in your eye, you turn back to the camera, a playful smirk tugging at the corner of your lips. “Can I change my answer?” You inquire, injecting a hint of playful anticipation into your tone.

“Sure,” the interviewer replies.

“You’re supposed to say no,” You quip with a chuckle.

“Oh, um no?”

With a playful pout, you glance over at Charles who is already staring at the interaction. A smile adorned on his face like he is in complete awe of you, regardless of what you are saying. “Sorry honey!” You wave your hand around. “Answers are final!”

Leaving the kitchen behind, you make your way towards the backyard, where the promise of relaxation and leisure awaits. Stepping through the door, you’re greeted by the sight of a large pool shimmering under the sunlight, its crystal-clear waters beckoning for a refreshing dip. Surrounding the pool, lounge chairs are strategically place, some on the pool’s ledge, inciting you to bask in the sun while enjoying the cool water. A wide arrangement of pool floaties from unicorns to racecars litter the pool as well.

It’s a breathtaking sight: a vast expanse of bright blue skies stretching overhead, adorned with barely a wisp of cloud in sight. The warm rays of sun dance upon your skin. With a stylish flourish, you slip on a pair of your favorite Ray-Bans, a subtle nod to your husband’s sunglass collection. 

“Vintage or new?”

You ponder for a moment as you stand in the backyard, a breeze blowing your hair behind your shoulders. “Depends, but definitely vintage.”

“Window or aisle seat?”

“Aisle, although Charles likes to take the aisle more.”

“What are three things you can’t live without?”

“Wait, do my children count as two of the three?”

“Up to you.”

“Okay, so my two children. And my lip gloss.” You laugh, pausing for effect. “Kidding! My two kids, and my lip gloss…” You pause, jokingly. “And my husband of course.” The light-hearted remark reflects the joyful chaos of humor and love in your life. “He’s really the sweetest man. I’m so lucky.”

The glass door slides open with a whisper, and into the frame steps Charles, his presence incessant. With a carefree demeanor, he approaches you clad in a pair of baggy jeans and a plain white t-shirt that stretched at the seams from his muscles. He presses soft kisses to your cheeks, the stubble of his own rubbing against your smooth skin, his love evident in each tender kiss.

“Désolé,” Sorry. He apologizes before pecking another kiss to your cheek. “Tellement ambrassable.” Just so kissable. He places one more on your cheek, your face bright red from the camera’s catching all of this.

“Looks like he can’t be far from you for very long.”

Charles looks at the camera, a glint in his eye with a large smile, like he was the happiest man on earth, and nothing could dampen his spirits. Especially with you nearby. “Est-ce que tu la vois?” Do you see her?

The interviewer, unaware of Charles’s words, simply nods in response behind the camera lens, acknowledging the affection in his tone. Later translations will reveal the depth of Charles’s words no doubt. Elle est tellement belle. Bien sûr, je ne peux pas rester loin longtemps.” She’s so beautiful. Of course, I can’t stay far long.

Your face is bright red as Charles remains at your side.

“Where are the kids?”

“Put them down for a nap!” Charles answers, his arm slung over your shoulder as he leans on you comfortably. 

As the interviewer continues the questionnaire, Charles can’t resist interjecting with playful remarks and comments on almost every question. His spontaneous interruptions add an element of humor and spontaneity to the video, turning what could have been a standard interview into an entertaining and engaging exchange.

“How do you define beauty?” “My wife.” “Charles, the questions are for me!”

"What do you love most about your body?" "That's an easy one...I think her--" Charles begins, but you swat his chest and cut him off. "I love my arms. Not because they're that nice but they give me the ability to hold my children." Charles clicks his tongue, hating that you even implied something about yourself as 'not that nice'.

"Least favorite color?" "Red." Charles lets out a large gasp with a string of phrases in French, clearly hurt by your response. "It's a joke, mon amour!" "How did you know you were in love?" You look at Charles then, his eyes already on you, a soft smile pulling on both of your lips. "I can't remember a time when I wasn't in love with him. Probably when I realized I would rather be awake in the middle of the night, since he was traveling so much, just to talk to him for even a few minutes, instead of going to sleep." Charles plays with the ends of your hair, twirling the ends around his fingers as he chimes in. "We've known each other for so long. But, when I first met her, it was like meeting someone I've known my entire life. There was no awkward silences between us. We just clicked."

“Diamonds or pearls?” “Pearls.” “Mon chou, don’t lie.” “I’m not!” “The diamond on your finger says otherwise!”

“If you made a documentary, what would it be about?” “Charles’ brain. I seriously question what goes on in there sometimes.” “Hey! It’s only you…”  You raise your eyebrows at him, like he’s a liar. “And racing.” “Definitely racing.”

“If you had a tattoo, where would it be?”

Charles smirks deeply, like he knows something the world doesn’t, the interviewer picks up on it. “Wait, you have a tattoo? Can we see it?”

“No! It’s for me only.”

You playfully swat at Charles’ chest, a playful blush coloring your cheeks as you both wander throughout the house, showcasing its beautiful décor. Despite your embarrassment at Charles’ antics, you can’t help but be thankful for him easing your nerves. You weren’t one for the public eye, normally. So, when you agreed to this interview it came out as quite a surprise.

“Okay final question of the day.” 

You both stand by the front door, the interviewer on the front step outside of the home. 

“Hugs or kisses?”

“Definitely ki—” You don’t get to finish your answer as Charles’ fingers grasp onto your neck, his fingers sprawled along your jawline as well, and tugs your face into his. He shuts the door as soon as his tongue slips into your mouth.

It’s a few seconds before you push him off you. “You’re unbelievable!”

A giant smile spreads across his face as he looks down at you. “Only for you, mon chou!”

[enbyhyena]

please stop scrolling for a sec!! i'd really appreciate your attention!!

hello, my name is nexys and i am a disabled, autistic, and queer person trying to make it in the content creation world. i'll do my best to keep this short and sweet, but i'm going to be having a subathon over on twitch starting 8/1 (august 1st) at 12pm CST.

this event is super important to me, as i'm trying to raise money to improve my living situation, as well as the living situations of those in my community. i'm also going to be running a charity day on friday, august 2nd for parkinson's awareness, research, and treatment, and will be having on my grandfather, who is an advocate with the disease. and i know it would mean a lot to him if he was able to raise some money to help other people like him.

for those that don't know, a subathon is when a streamer goes live on twitch for a certain amount of time, and the stream ends when the timer runs out. however, the timer can be increased indefinitely by viewers donating money, subscribing, gifting subscriptions, or cheering bits.

due to my disabilities i can't go 24/7 like some of the maniacs (/lh) out there, but i have committed to going every single day for at least four hours until the timer hits zero. and once again, this subathon event holds potential to be lifechanging for a lot of people. plus i'll be collaborating with over a dozen other creators throughout the first week, so you'll be getting a lot of variety! we'll be playing everything from pokémon to phasmophobia, roblox to subnautica, and more!

even if you can't contribute financially, dropping a follow, saying hello, and just Being There would mean the world to everyone involved.

here's my linktree, which directs to every website i'm on, including my twitch channel and discord server.

even if you're not personally interested in this project, please consider reblogging! there's a chance one of your followers might be interested, and any engagement helps. <33 thank you so much for reading this far, and i hope you have a great rest of your day/night!

[sl-ut]

streamer!ellie hcs

been thinking about gamer!ellie williams x fem!reader a little too much lately so here are some random ass hcs

part two | part three

she's a pretty big streamer on twitch, plays a lot of different games but she particularly likes rpgs bc she thinks they're the most fun kinds of streams to watch

she plays gta online (on nopixel ofc) A LOT

her rp character is definitely like a druglord or something lol

speaking of, total stoner

she usually smokes right before her streams to help her settle down (she gets kinda nervous before her streams)

she's up front about her drug use (just weed don't worry) w her fans, but definitely doesn't wanna smoke on stream bc she knows there are younger viewers watching

she streams at night, probably around 8:30-9pm AT THE EARLIEST

has a boss set up. she has an extra room in her apartment for streaming, has lots of fun little figurines and posters of her fav games/movies/artists, led lights (always set to either blue or red), and custom display, keyboard, and headset

off-topic, but she'd also an astrophysics major and is on the DEANS LIST??? our girl is so casually smart and doesn't even try that hard like

she's such a nerd, always been a big star wars, harry potter, and lotr fan since she was a kid

she casually drops the gf bomb on stream one day and the internet just about blows up

lesbian twitter died a little that day

she's kinda secretive about it tho, didn't even really mean to mention her gf (she hadn't even asked her to be her gf yet and she already publicly announced that she was off the market)

for plot purposes, i've always really liked the idea that y/n is also a public figure? maybe she's a small actor/singer or an influencer or something

y/n texted her during the stream saying "u got something u wanna ask me???"

ellie was trying so hard to not turn red and end the stream

a few days later, everyone's fav lowkey singer/actor/influencer happens to soft launch her new gf (everyone was a little sus but no one really assumed that it was ellie bc why would it be??? they've literally never interacted on the internet before?)

except what they don't know is that ellie had been really high one night and decided to shoot her shot, sending a risky dm on insta and almost pissing herself when she saw that she had actually responded

begins talking about the relationship more on stream

doesn't reveal who her gf is for a while tho, but when she gets a text from y/n asking for her help for a sec she'll just tell her chat that she'll be back bc she needs to "go help the missus"

such a loser fr

finally hard launches on y/n's bday, posting a photodump from the past few months that they've been together

lesbian twitter died again

two of the hottest internet gays off the market? oh no

but everyone really loves it

ellie likes when she brings her snacks or a drink during the stream, inviting her to sit on her lap and chat for a bit while they're waiting to join a server or something

she bought an additional gaming laptop so y/n could stream with her sometimes

ellie does random super loser stuff when this happens, like if they're playing gta she's taking her on a long car ride around the city bc she's roleplaying as y/n's sugar daddy

loves using her platform to hype up her gf's work

always reposting new songs or casting announcements that her gf is involved in, and loves being her date to big press events

omg i might have to make a little modern!ellie fic bc i love this smmmm

[e-vasong]

ive gotten in my dead boy detectives feelings again (as one does) and anyways in this edition of Overthinking It, I'd like to say that one of the moments that first defined Edwin's character for me was actually a very brief one. It's the scene in episode 1 where he steals evidence from a crime scene and gives himself an iron burn while doing so. And from a writing perspective, this is obviously serving another narrative purpose - introducing viewers to the idea that ghosts and iron do not get along. but that fact also makes it super notable what they omitted from the scene: that is, any sort of reaction from edwin. in the scene thats meant to establish that iron hurts them. not to mention, edwin's otherwise meticulous, yet fully owns up to handling the iron recklessly. and we know that contact with iron sucks, because charles has a fucking awful time with it in the last episode of the season. its a lovely bit of character work on par with edwin's reaction to the dolls in the lighthouse episode. why would edwin be bothered by an iron burn when he spent seven decades being tortured?

edwins relationship with pain is also excellently contrasted, in turn, by his relationship to his sense of discomfort, emotional or physical. with the exception of esther's chair in episode 8, he doesn't really seem worried about or bothered by pain. on the other hand. this boy fucking hates being uncomfortable. an emotional conversation that hes not prepared for? hes going to stomach it but hes gonna look nauseous the whole time. he doesnt like being touched. one (1) person starts flirting with his only friend? hes miserable and not nice about it.

this boy has So Many Problems and im kind of obsessed with it

[cosmerelists]

Cosmere Characters in the Hunger Games

As requested by @sweetteaanddragons :)

I haven't read or watched Hunger Games, but I've picked up enough through cultural osmosis...I hope. They're kids in an arena fighting to the death, right? And it's a media circus? And there are 12 districts? And they're poor? I think I got it! Anyway, let's stick Cosmere characters in that arena and see how they do!

By the way, for the most part I'm imagining these characters in their own separate hunger games, not all together, just because I didn't want to imagine all of my blorbos killing each other.

1. Kaladin

After a kid who looks just like Tien literally dies in Kaladin's arms (note: all of the kids look exactly like Tien so far as Kaladin is concerned), Kaladin realizes that the Hunger Games are about kids dying, not about kids surviving. He decides that he has to save everyone, and quickly builds a coalition with the other tributes. They all die anyway and Kaladin wins.

He's not happy about it.

2. Shallan

Sadly, Shallan dies while trying unsuccessfully to convince a stick to become fire. Technically, I think this means the stick wins, but they give the award to some kid instead, for some reason.

3. Adolin

Adolin was doing really well until FOUR other tributes all decided to gang up on him. Even then, he fought like an uncaged tiger and very nearly survived. Nearly. (Hey, uh, most characters die in Hunger Games, right?)

4. Vin

Vin slices through the competition like a vengeful god. Emphasis on vengeful. And god. She barely even lets herself get distracted by the weird love triangle between that guy who wants to make the world better and the one who wants to burn it all down. She's too busy, like, killing everyone.

5. Zane

Zane thinks it's pretty swell to be in this killing arena killing people. What isn't swell is that Vin isn't into him, even AFTER their romantic killing spree. What gives? Anyway. Vin kills him.

6. Elend

Elend has a lot of thoughts about the sociological implications of the games. He does not have a lot of thoughts about how to sharpen a stick into a crude spear and ram it through someone's chest. (Is that what happens in the Hunger Games?) Regardless, I don't think he makes it long... Sorry, Elend.

7. Spook

Spook is a wraith. No one ever sees him coming. Or sees him at all. He keeps receiving supplies and weapons from a mysterious benefactor. At one point he starts wearing a handkerchief over his eyes and killing people by sound alone. I don't really see him winning, tbh (sorry Spook), but he is definitely a crowd favorite who makes it super far.

8. Szeth

"To kill innocent children for the amusement of distant viewers blackens my soul with a stain that shall never be removed. Oh, how I hate this. Oh, how I hate this senseless, senseless killing," Szeth thinks to himself as he constructs an unnecessarily elaborate death trap that kills his opponents horribly. "No one suffers like me," Szeth thinks, over all of the screaming.

9. Renarin

Hey remember when Renarin killed a Thunderclast mostly off-screen? Plus he has future sight. If they've got their powers in this game, then Radiant Renarin is probably taking it all. If not, well...let's not go there.

10. Vivenna

After her sister is sent as a tribute in Vivenna's place, Vivenna enters the Hunger Games anyway, determined to somehow put a stop to them. For example, she takes all the food she can find and hides it in one place so that it will be safe for everyone. She figures out how to predict supply drops to ensure that she always gets to them first. While convinced that she is the Hunger Games Breaker, she is actually the season's most notorious villain and eventually everyone bands together to kill her. Sorry, Vivenna.

11. Kelsier

Kelsier wins the hearts of viewers everywhere, mostly due to his determination to keep smiling no matter what horrors he must survive. He's, like, really good at killing people also. The Survivor, people call him. But when he is shockingly cut down and killed, his death galvanizes a rebellion against, uh, President Snow? Is that the big bad? Anyway. There's a religion about him now.

12. Ann

Oh, Ann. So excited to shoot guns. (Do they have guns?) So excited to shoot bows and arrows maybe. But she can't shoot worth a damn. She has a splendid time and hits no one. And, well, she does not win.

13. Cord

Frankly, Cord wants to win and bring glory and money (?) back home to her people, who desperately need it. I'm assuming the districts get stuff if their person wins. Cord is in it to win it. And she's awfully good with that bow and arrow...

14. Lift

Man, I don't want Lift to be in the Hunger Games! Lift thinks killing is lazy and boring! Sure, she'd be great at hiding in trees and getting food, but I definitely do not see Lift actually being able to kill anyone. Is that allowed? Will she be disqualified?

15. Tress

Tress looks at the Death Arena Whose Purpose Is Death and says, "But is anyone gonna Make Friends about it" and doesn't wait for an answer. Somehow, by the end, basically everyone IS friends. Except for that one person who really did want to kill. But she and Tress went off together and only Tress returned. So.

Basically, Tress's influence ruins the Hunger Games that year. Nobody wants the Friendship Games.

[mysteryanimator]

Breaking down Castlevania Nocturne Season 01 - Episode 08 "Breakup Scene" shot by shot!

I've been chipping at this for a while and now I can put this out to the world. While this will be a lot more 'clear' and more put together than a lot of my previous writings (I am so sorry, I have looked at those past writings and I look like a madman, I was trying to hold back all of them and therefore it ended up super messy) however, it is still going to be a very casual document—as if a conversation!

To preface, these are just my thoughts, and by no means is the actual indicative end-all-be-all for these shots! These are just observations based on my special interest (and also I did ATAR for this, which in short I suppose is a specialization study ? I'm not sure how to describe it LOL) in media production and analysis, with a heavy passion for visual storytelling in film! It has been a while since I have written something like this so you may have to bear with me here.

I consider myself still an amateur, but shot choices matter, especially when you have only 8 episodes, a deadline, a budget, asset restrictions and so on. It all has to count. Everything matters.

As a side thing, while we can and very much should criticize media for being poor in writing, composition and so, yet, I've noticed people do tend to forget everything is 99% considered. Everything has its place and everything has intention. Passionate creatives care and there is more than "the curtain is blue just because". Like I can and will talk about how every Mizrak and Olrox scene is placed in green/earthy-colored environments (not here though LOL, this is not the time for it). The times when things slip under the radar and are put there just because are mostly due to executive meddling, budget restrictions, and deadlines.

Now that the introduction part is out of the way, let's start!

The establishing shot!

I think you’ll notice this in many many shows in general, but this is often used to establish a new scene. While some may think there’s nothing too special about it symbolic wise, Olrox is seen literally dragging Mizrak up the hill. Begging the question of why does Olrox shift out to his shadow form?

For a writing/story perspective, for the breakup to hit with those emotional beats, it has to be done face to face, ‘human’ to human. It cannot be done in shadow form because the dialogue and facial expressions that need to happen, it has slap you in the face. Like the crying scene. It also means when you deliberately cut out any expressions from the shots due to the camera framing, you get a more emotional reaction from the viewer. This is because you cannot see the emotions that they are clearly having. It is like the characters do not want to show us it or let us in.

Character's perspective, Olrox is given the chance for Mizrak to fight back and probably somewhat hoping that Mizrak would break out of his arms easily so he can prove to Mizrak he isn’t powerful enough. It's much like how he lets Richter live in episode 01. He often gives chances to people and it's probably going to come up again.

Olrox drags Mizrak into this scene, and we’re getting a mid shotttt, (I think technically cowboy shot, since we do get like waist and hands, though its because their height differences but I might be getting too pedantic with this).

This may not seem too special, but it’s a very nice way to show Mizrak struggling and just set the baseline for the action occurring since from the establishing shot we can’t tell too much because it's so far out. It also now brings the audience into the scene, we are now privy to their most private conversation. We can also see Olrox is literally holding him super easily he’s literally not even trying LOL. We can see the dynamic being established and how that dynamic will shift at the end. So we have established the new setting/characters in the first shot, and now we've established what this side story will be about in the second shot.

THE LOW ANGLE 🫣

Low angled shots are used to make a character appear powerful because the camera is looking up, therefore making the presence in the shot seem like a massive force. Olrox is supposed to be powerful. Yet, even though he’s taller, right behind Mizrak holding him back AND directly mentioned- he’s not in shot scene except for his hands. They are SUPER prominent in this shot, they’re practically in the middle of it and stand out because his hand is lit super differently from Mizrak’s face.

Olrox’s power is being used to hold back Mizrak.

Side note, I think this is just me, but this shot feels suffocating WHICH IS A GOOD THING. While there is some empty space around Mizrak, it's still extremely dark like Mizrak's clothes so it kind of blends in and makes this scene suffocating. It is as if we're being held back too.

This camera angle also makes Mizrak look very powerless and powerful at the same time which is I think is just really neat. With each established 'rule' for camera shots/angles, you can break them to subvert audience expectations. Mizrak is yelling and using all his power to convince Olrox to fight. Convince him that he can do it and fight Ezerbet.

Long shottttt, slightly different from an establishing shot since it punches in more closely.

“She’ll kill them!” And we can directly see the Abbey from here, being loomed over by the eclipse, which is really super nice. It’s telling us he’s practically going to watch them die if he stays where he is.

Also visually the 'weights' on the left and right of the screen can be argued that they are even, almost as if both choices are heavy and hold the same power over each other. The choice to go back and fight, or the choice to run.

Close up shot! Close-up shots allow for the audience to read a character's face, or if not their face, their action, to put extreme importance. The small details matter in a close-up and are the main focus.

This is soooo intentional, but we don’t get Mizrak’s initial reaction. IMO we don’t ever get it, we only get his response to Olrox, and I see reaction and response as two separate things. This is a super hard side view of both of them. It's not 3/4, it's not front- it is side profile, used to amp up the dramatics of the scenes. It's a nice contrast to how it's only one side of his face yet he's revealing an inner thought. As if maybe perhaps, there is more to this truth then he lets on, it is perhaps, maybe only one side, of his guarded truth.

Also, people may call this a corn plate moment but his eyes are open for one frame, and then when he tilts his head down, they're closed. Its a very small detail, but it's being used to set up for his crying scene later because this acts to 'reset' his face before we see it again.

This is Mizrak's response. We don’t get to see his face, but he BACKS DOWN, and I don't believe he does it because he think Olrox will release him if he does (which Olrox does anyway), but its also kind of his reaction.

This is a forced perspective shot, I think this is now a high angle. So the camera is looking down on the characters, making them powerless and vulnerable. Opposite to a low angle shot.

THIS IS CALL BACK TO THE BED SCENE. Olrox holds Mizrak from behind

A rehash of this scene from episode 04 but with 10x the angst.

Y'all are free to call me out on this section because my storyboarding experiences are small BUT i am just throwing in additional context.

Storyboarding scenes and shots is a collaborative process (as is the whole animation industry itself). These boards go through multiple iterations, which you namely you have to get it passed off from your storyboard director but also your fellow storyboard artists, your background artists and so on. While you dedicate yourself to this specific scene, you let previous parts of the story influence your work and vice versa, allowing for things to feel more connected and visually tell a story. This is the last moment we see this 'couple' in this show, and with such heavy scene that breaks these two apart, you are going to want to call back other times where they were close so it makes the separation that much more painful. In this case, it was chosen to have Olrox holding Mizrak as a callback. This then means this will be a common thing they will go back to and it will somehow reappear in season 2 and every season after that (pleasepleasepleaseplease season 3, maybe season 4 guys please). When it does reappear, it's going to be an alternate version that builds upon the last, and who knows, it may be way more subtle. It may be flipped. The way they act around each other when standing behind each other is very important. The way Olrox holds Mizrak is very important (and he doesn't just hold him by just sitting or using his hands, but also I can discuss that on a different scene breakdown if you guys want!)

I need to point this out super clearly. We do not see their faces this time around for that shot and that is intentional because then it forces up to think of what it is like. We have to infer from their previous interactions and what should come to mind is episode 04.

I would love to break down this at some point later (and how episode 04 and episode 06 make callbacks to each other, I've mentioned it before in a tweet somewhere I digress though). I'll briefly go through this now- this image is a (extreme) top-down close-up of their expressions, the perspective is pushed here. In episode 08, we get a top-down view where the perspective is also extremely pushed. This has to be a callback, there's no way that wasn't intentional.

This is what I imagined their faces to be when Mizrak stops resisting and drops his arms.

Now we see Mizrak’s face. Trade off is that we don’t see Olrox’s face. Like a reaction to a reaction. It’s to set up for the next shot to make us go “oh my god.”

THIS SHOT IS SO GOOD Y'ALL😭 (Also a close-up)

Olrox is not known to show any extreme emotions, only time he does was when he forced himself to bow to Ezerbet. So to the audience, this is really shocking because THATS TEARS RIGHT THERE.

The forehead creases are telling me he’s holding back really hard. He’s dead still beside the wind flowing. He’s using his power to hold back.

This is a front view too. Olrox is baring himself out. No 3/4, no side angle, front view. Also, the backdrop has the trees beginning to clear out behind him, which subtly alludes to us as an audience to realize how we're getting a slightly clearer picture of Olrox's headspace, of his views, and so on!

Which… is this a call back to when Olrox said “I’m not in love with you” (?) It is a front having shot but its cut closer and his eyes aren't glowing.

Which, I still have no idea what the glowing eyes mean. Unless there are no rules the glowing eyes follow by it besides what suits each scene the best thematically. I will point out that whenever it glows, its supposed to be intimidating, he's supposed to feel supernatural. When he's vulnerable, take for insistence when he talks about his past and talks gently about it, his eyes don't glow, he feels a lot more human in that scenario.

First of all, choice of shot is to mirror Olrox’s shot. Ok that out of the way.

WE GET THIS LINE??? I remember first watching it my jaw dropped because I couldn’t believe he said this.

He gets called an animal. Wild. Insane.

That’s a set up. It has to be there’s NO WAY IY ISN’T. WE’RE GETTING A CALL BACK TO THIS IN SEASON 2. SEASON 3, pls I’d do anything for a s3. Idk when we're getting a call back to this because Mizrak just backhanded him so hard and that language is so specific, especially since we’ve already gotten Ezerbet going “Gods should know where her dragons are”, you know, treating Olrox like a pet. Like an ANIMAL.

I am going to go on the slightest of side tangents- Mizrak has parallels to Drolta, they're both "guard dogs" for their leader. The Abott simply has to put out his hand when Mizrak is growling (it is subtitled as him growling and barking its kinda crazy) for him to stop. The animal line seems so out of nowhere and it is supposed to feel like that but we've had this bread trail from the very start.

Ok going back to the scene at hand. Mizrak ??? Where’s your normal religious quips ??? Why did you use that line ??? What do you know about losing your soul and being animal-like??? Suspicious 🤨 because there are countless bible verses about, bravery, losing your soul, literally self-sacrifice.

Though I will bring up, the idea of having a soul has been brought up before.

Mizrak recognizes Olrox had a soul before. He recognized Olrox used to live. I think Olrox was a lot more... 'puncher' and 'fiery' beforehand, before his previous lover died. I mean, if he wasn't more 'alive' before, why would he turn his previous lover into a vampire. Mizrak said that so it would hurt and to call him out.

(Though I feel like, religion has been thrown out the window for Mizrak, cant wait to see how Mizrak deals with it s2 LOLOLOL)

Ok now talking abt these two long shots together (the irony writes itself)

The placement of the characters is so important to feel that void and it makes the scene feel so much more empty, which is why it also has to be a long shot. It’s like, they’re supposed to fill in that gap, but they’re not. A general note is that shuffling characters off-center makes the scene feel unbalanced. The center line, the abbey, and the eclipse are already established and Mizrak is running off center. For Olrox's shot, there's a clearing to his right.

To Mizrak, Olrox should’ve run alongside him. There’s space for him

To Olrox, Mizrak should’ve stayed back. There’s space for him.

Now I'm done. My final notes is that this whole breakup scene is a massive setup for something for the next season (if not this season, just for something big later on), and my red strings are tying it to that animal line and holding if that makes sense? Everything in episode 8 IS a setting up for bigger things for season 2. We will get callbacks. (I say will, that is a very strong conviction LOL).

Also to wrap up, shot choices matter heavily. You need to connect with the audience immediately. A picture says 1000 words. Something as simple as maybe someone in a diner eating a burger, and its a close up of them talking may seem not that special but it changes a lot just by having a character in the middle or the left of the screen, especially in the greater scheme of a full scene.

Think of that one quote from Prince of Egypt where the priest says "A single thread in a tapestry though its color brightly shines can never see its purpose in the pattern of the grand design." Basically that LOL.

If I have time, I may go and do their other scenes (or even scenes of other characters)! They all build upon each other really nicely and despite their scenes being about 1-3 minutes long. They really pack in a lot of details. Their lives before directly affect what's happening at that very moment on screen and you can see it heavily influences how they interact with the world and each other!

[big-tiddy-bi]

Without ao3 I became inspired. Ok so being tired of the justice league not helping/believing brakes into the tower while a meeting is taking place to show one of the heroes what is happening I.E. you failed and don’t come here we don’t want you, we don’t need you. You come here and you will be treated as a super villain and dealt with as such.

—————

Danny was sick, tired and powerful. A dangerous combination for most peoples. Myths and legends written throughout every religion every people every and every world based on gods feeling those exact things, and that is the thing Danny closest too, not ghost, not human, but a god. Even if he does not himself as such.

Today was the justice league’s last chance, Walker had decided to change up his tactics. Instead of going after Danny directly he was going to play dirty. Imprisoning 300 living for ”harboring a fugitive”. The justice league was called, one last chance before thing got out of hand. 300 people held captive in another dimension should be a priority for a group called the justice league.

Their response “the justice league contact system should only be used for emergencies, pranks will not be tolerated”. a simple response. directed and to the point. A metaphorical death sentence for the justice league and the people of amity’s faith in them.

No one died, thank the ancients, but blood was spilled. Red and green fell to the floor like water from the large cuts on Danny’s arms and the side of his torso, he was mostly fine, a couple stitches, about a gallon of filtered ectoplasm and a trip to the nasty burger had fixed him up. Meaning that every time he tried to move his arms he felt like he was being stabbed and he could not breathe without pain, which in all fairness was kind of normal for him, it sucked but it was normal.

The real problem was the 300 people I’m the hospital, ecto contamination, not to the extent of being fatal but extremely painful. That could have been avoided if Danny had more help than just his team of 4 other teenage vigilantes and his adult sister.

So after that fiasco Danny did something, else, something more political, he mad deals. With permission from the most important people in town the ones who keeps everything running, IE Mr lancer and Jazz. He also got permission from the mayor, bribed with Danny going to a Green Bay packers game with him.

Johnny 13 and kitty could joy ride before 12 am and after 9am as long as property damage stays at a minimum, a couple smashed mailboxes, broken windows and spray painted cars/buildings paid for by the mayors office was better than bad luck to the entire town and people disappearing.

Skulked got to hunt Danny in a building made for that purpose, Spector-cameras installed in it so people could stream it live to “witness the greatest hunter of the ghost zone”.

Ember got to play her music and travel on tour as she pleased as long as she didn’t mind control people.

Some wouldn’t take the deals but most of the heavy hitters did, it calmed down a lot, but as they say it the calm before the storm.

With the viewers of the “ghost battles” (it was basically a game of extreme tag) and embers fans talking, the ghost situation became a known thing

And again the justice league responded. “we will be there in a month”

No apologies for not believing them no apologies for not helping, just a we are on our way 8 months after the incident and they were going to be there 9 months after. All the people where health again, Walker was punished, locked in his haunt for the next 100 years. The justice league has nothing to do. They have no point in coming to amity. Where they just going to show up, say “sorry for not helping you, welp peace” and then just leave.

Maybe that was the point, that though crossed Danny’s mind as he read the message out loud to his team. They didn’t have any to do, a vanity project, help the small community that they abandoned so that the people don’t go blabbing to the papers, a pr move.

Sam and Valerie had voiced the same opinions on what the justice league was doing. The rest of the team agreed after a short conversation.

This led to Tucker hacking the league computer system to find the next meeting date and we’re it would be held. “Unhackabal my ass” and a plan was made.

So here he is, invisible, intangible and floating above the justice league. Batman walked up to the podium and began to present.

“8 and a half months ago the league got a report of 300 people being kidnapped and sent to the ghost dimension, this was believed to be a prank and filled as such, we were wrong” he said while clicking through slides, some of medical reports of the victims, some of the photos taken of him helping people out of the portal next to the hospital he mad to help the victims faster. Then he said “ this is the city’s resident hero team” the next slide showing the picture of Danny, Sam , Wes, Valerie, tucker and jazz receiving the key to the city. 

“We one know of this misstep because of videos posted online of phantom pictured here” he pointed an Danny receiving the key, another picture of him helping a man to the hospital appeared “and here”

“Do we know who trained them they don’t look older than sixteen” Wonder Woman asked. Before batman could answer Danny revealed himself, though he made his skin slightly translucent to show his bones, it was all part of the plan.

He floated down to the floor and looked directly at her “we trained ourselves”

He turned to face the whole room. “ I am not here to fight you” he said as a couple of hero quickly moved from their seats. “ I came to warn you”

He took in a breath “ I came to warn you, stay out of amity and stay in your lane.” He put a small amount of his ghostly wale into his voice, just enough to shake up their hearts. “ we don’t need you. We don’t WANT you” he cold the room slowly a couple degrees a word. “ do not ask around for us ghosts, do not look for us, if you find one of us. RUN.” He dropped his voice louder as emphasis. “ if you find one of us causing trouble, send us a message, but otherwise don’t acknowledge us or amity, the dead have nothing to give to you” his eyes became fussy staring at nothing green tears fell out of his eyes,and his Lichtenberg scars began to glow Ice blue, but his voice did not waver,.“ you may not have killed us yourself but you signed our death warrant long ago, you have ignored us far to long” is voice soften at the last word.

Then his eyes turns red, as fast as he could he pulled Superman out of his chair and pushed him to the wall. Danny’s hand went intangible as he pushed in into Superman’s chest. His hand wrapped around Superman’s heart, Danny soften the intangibility so Superman could fell the hand but not get hurt. “I can rip your heart out without a single fight” his skin became entirely invisible to show his skeleton. “To all of amity” Superman’s breathing quickened “to me” he move close to Superman’s ear “you are villains, and will be treated as such” he dropped Superman to the floor.

“Stay in your domain and I’ll stay in mine” ice began to form at his feet, looking mor like crystals than ice. “Come to us with please of forgiveness is as pointless as asking of it from your god” ectoplasm dripped from his mouth onto the floor. “Do not come to amity” and with that he went invisible again and watched the room in amusement. He was kinda freaking out at how awesome he sounded.

A couple minutes of silence followed. As John Constantine entered the room, “what did I miss?”

———————-

Hope y’all like it <3 Sorry for spelling mistakes. I don’t think this need trigger warnings but if you think so please comment so I can add them. I started writing this and I couldn’t stop. If only I had that energy for the original story’s I want to write lol Have a nice day/night and drink some liquids that aren’t caffeinated and/or poisonous <3

[fountainpenguin]

Riddle watches New Wish - Post #21

Best of Wish

This is way more intense of a Rock-Paper-Scissors competition than I expected. I love how the stakes in this show are kid-themed, but still flashy enough to be engaging.

For some reason, even though I know Dev's surname is Dimmadome, it's still funny to hear a kid be announced like that. For years, that's been an "old man name" burned into my mind.

Are they allowed to do that?? Does apple beat worm?

He's just a little guy! You wouldn't beat a little guy at Rock, Paper, Scissors, c'mon!!

Time of his life.

Dev: I cheated! And you're supposed to be SAD now! That's the whole point!!

Dev is having a very hard time dealing with his emotions. I am definitely enjoying him screaming about how he cheated to win and that means Hazel should be miserable now. You can just TELL the words he's throwing out reflect how he feels and he's super confused as to why she congratulated him on his win.

-> Gives me similar vibes to Foop in "Blue Angel" screaming about how it wasn't fair that Chloe kept forgiving him despite his best efforts to tear her apart, although I think the emotions are being played better in this set-up.

-> With Foop, even though he also has a messed-up past (37 years of solitary confinement from the day he was born according to my frozen timestream notes), he was born with murderous rage, and his culture definitely leans in the direction of encouraging that.

With Dev, you know he's lashing out with things that would hurt him specifically and that he's having a really rough go of things. I like that.

If I'm feeling like Dev reminds me of Foop, that kind of implies Dev and Peri are supposed to me a good match that balance each other out. I like that.

That checks out- Peri has doting parents and wants LESS attention, and Dev can't keep his dad's focus and wants MORE attention. Peri's the one who keeps trying to rein Dev in and Dev is always trying to get Peri to go further.

Agency knew what they were doing when they assigned this pair, huh?

/war flashbacks to Foop being distraught that his parents left him alone for spring break back in the day.

THERE HE IS!!

Irep implying he didn't have a choice in his name change? I wonder what the reasoning was, since he even says it's "Harder to pronounce" than Foop? Curious...

As much as he hated his name when he was born (Season 7), he was very attached to it by "Love Triangle" (Season 8), correcting Goldie every time she got it wrong until he finally snapped and screamed at her about how "It's not that difficult!"

Goldie got Fairy names right, AND every character in the school play right, but never bothered to learn her one Anti-Fairy classmate's name despite all the time they spent rehearsing for the play and him making it very clear he wanted her to say it right. Big yikes.

He's very proud of his name in later episodes (announcing himself often) and has his business cards. I mean... Sure, he's allowed to change it- It just surprises me that he's heavily implying it was against his will since his attachment to his name was such a big part of his character in my memory.

He's developed an entirely new identity, lmao. Who are you?

Potentially setting up a plot about how he's mad he has to copy Peri, but I feel like there would've been easier ways to do that?

I assume the logic here is that it needs to be clear to Hazel and/or viewers that they're opposites (We got the info here, but he'll probably appear in future episodes where it needs to be clear to prevent confusion for people just tuning in), but if that's the goal...

W... why would he not just change his name to Anti-Peri?

Plot twist of the century: They bring back Anti-Cosmo and Anti-Wanda, but their names are Osmoc and Adnaw now and we all suffer for it.

/record scratch

Hey, um. Why did they give Irep body language that was pretty much exclusive to Foop's alternate personality??

You're really gonna play me like this??

Straight out of the GATE!?

Okay, I just rewound to his first appearance of this episode and I do see the Foop-exclusive body language in Irep too, but... ???

Just really caught me off guard to see two poses I've burned into my memory as "alt personality things" back to back in like, 10 seconds, but okay. I don't care if this is a tangent; the actual episode can wait. It's important to me...

All right, the context:

So, OG Foop does fists when he's frustrated / scheming / cackling / nervous (usually above his head or down by his sides).

His alter does upturned fists when he's praising / cheerful. That's always been one of their switch cues, from the alter's debut in "Playdate of Doom" (Season 7) up through the last implied switch in "Return of the L.O.S.E.R.S." (Season 10).

Even the very first onscreen switch in Season 7 ("Playdate") depicts the alter holding his fists like that, before the double eye highlights were introduced in "Spellementary School"-

-and he does the fists several times throughout his first episode.

Other body language habits include big, flat hands lifted towards the mouth, plus clasped hands. In other words, the alter is more "dainty" and "gushy" compared to Foop- I've always imagined him "doing everything over-the-top and unironically."

Don't confuse that with him being the nicest person, though. He's very funny; I like in the OG series when he's totally down to butt heads with Poof and coos "Does Mr. Popular want to fight~?"

Like. Logically, I know that is just a weird coincidence. There's no way the storyboard folks studied that, and there's no way they're planning to bring the alter back, because if they were, I'm sure he would've been blatant in this episode.

Foop's not using his high-pitched voice here and we can't use his eye highlights as a faithful signal since that's on-model for this show, but...

I mean... He's talking about Da Rules when he does the upturned fists. That does fit the "grumpy / scheming" energy which is correct for Foop (although he usually pumps his fists above his head or clenches them down by his sides instead of upturning them like this), but... ???

Wow, that is not a pose I'm used to seeing on Foop instead of his alter. I've written this little guy in 'fic a bunch of times; I know his body language pretty well and it was a switch cue for 3 seasons??

I'm okay. It's fine.

Also, here's a video showcasing their switches. Volume warning:

I just found out I missed one switch in "Terrible Twosome" when Poof gives him chocolate (even before his Terrific Twos kicked in), and I was always unclear on the full diner scene in "When L.O.S.E.R.S. Attack" (though I don't remember why; maybe because the voice is deep despite the highlights and I'm only rethinking it 6 years later), but... Them.

-> I do count "Terrible Twosome" as essentially the alter because the eye highlights, voice change, music change, and clenched fists all match the standard, but I'd accept arguments to the contrary since it's confirmed all Anti-Fairies have some version of Terrific Twos, and this is the only one we have for reference.

I was today years old watching this old compilation when I realized the music consistently zigzags between super cheery and dark when they switch, even outside "Terrible Twosome," which was where I remembered it. No... It's been there since "Playdate of Doom." Huh.

Okay, so... This is actually really interesting. When they switch, the music does too, but their music doesn't overlap. It's a very clear, jarring switch. There's often, though not always, a pause before this switch (such as their very rapid back-and-forth in "Playdate of Doom"). I've learned something new. Huh.

... Wait a sec.

They wouldn't...

...

Hey, uh ???

why does the tense music in "Best of Luck" cut off immediately before Irep temples his hands, drop to silence, and then switch the thumping part of the music to the cheery part underneath it and put the thumping part underneath the cheery bit instead?

I already used my one video for this post, but I can post the audio. It's subjective; I'm sure it's not supposed to indicate anything, so just bear with me...

- Okay, so we have this dark "BUM-bum, BUM-bum, BUM-bum" pattern. That goes for 12 seconds into this clip before fading out. - Note that you can hear, like... a scale underneath, like a swish, 4 or 5 seconds in. Right as 12 seconds turns to 13, there's a "sparkle noise". - And then we drop. And silence. So, that's the exact moment before Irep temples his hands.

- NOW the cheery scale in the music is louder and the thumps are very faded in the background, but definitely still there. - So, the stings are no longer "always switching, but never overlapping" the way they were in the OG series, apparently.

- Irep clasps his hands and says a couple more words, then drops his hands on "quitting." - RIGHT THEN, his music switches back to loud tension.

What the fliiiippp... what the fliiiiiippp?

?? I said I could see Foop-exclusive body language in him too earlier in this episode. Are they together again? Is that why they're sharing the music sting!?

SURELY that is not intentional. That HAS to be coincidence. I cannot imagine a world where that is on purpose. I'm losing my mind.

I... I don't really know where to go from here. I gotta lie down.

Bonus notes about the fists I moved down here due to length:

Okay, upon review, there are several ambiguous moments in the OG series where Foop himself makes potentially joyful fists instead of scheming fists, such as:

- When trying to fool Jorgen into thinking he's rehabilitated in "Playdate of Doom" (and Jorgen clocks him as lying) - When he's trying to sweet-talk Poof in "Two and a Half Babies" (and Poof also clocks him as lying) - Both times he's brownnosing up to Crocker in "School of Crock" (and Crocker clocks him for it) AND when he's sweet-talking the principal to trick him into activating his door trap. He also makes the fists when he's mimicking Poof in his first scene, so... he pretty much does it anytime he's "not being Foop," lol. -> In that case, it's funny he makes those fists when telling Poof in the closing scene that he's "sorry for trying to annihilate him." That said, he DOES switch a few seconds later while gushing over how Sammy Sweetsparkle is "kind of a bad boy." -> Clasped hands (also a thing his alter does a lot) is ALSO something Foop does when he's blatantly lying (The last of the Snow Wanda scene in "Fairly Odd Fairy Tales" is a good example, but I saw other episodes too). - Continuing with ambiguity talk, he does the joyful fists both times he enters the pet shop in "Man's Worst Friend," (a scene where he seems to switch multiple times, so it's clearly a place that affects him, but he doesn't have eye highlights when he first enters the building) - When the Anti-Fairy Council names him a scary godparent in "Fairy Godcouple" and he grins and says "Bring it on!" (though I can see that as scheming about what he can do with this power) - At the end of "Fairly Odd Fairy Tales" when he's trying to coax Timmy into eating his food and Wanda hands him a treat, interrupting his scheme (and he leaves his fists in the air while expressing interest in the treat) - The first time he meets Vicky during "When L.O.S.E.R.S. Attack" (when she joins the team's plan to get Timmy, so... arguably scheming, though the alt personality is known for crushes - and had eye highlights when asking Crocker if the mystery person he wanted to bring in was single - so I'd accept that as an answer).

Yes, I did drop everything to rewatch every Foop episode for this. hey man how's it going.

[ecargmura]

Unpopular Opinion: I Liked The Hashira Training Arc! (Season 4 Review)

Unpopular opinion: I liked this arc! While the Entertainment District arc will always be a personal favorite of mine, the Hashira Training arc was fun for a majorly low stakes arc where there is no demon slaying. I liked seeing Tanjiro going through shenanigans with the Hashira and fellow Demon Slayer Corps. It was a definite calm before the storm before all the stuff that transpired at the end of Episode 7 and the entirety of Episode 8. It definitely got me engaged and anticipating the movie trilogy.

In the manga, this was Demon Slayer’s shortest arc with it only being 8 chapters, I believe. Ufotable expanding the training and also giving anime original content was a real treat to fans because fans of the Hashiras can have more content before the the depression that is the Infinity Castle arc (Yes, I read the manga and yes, I know how depressing the next arc will be). Sanemi and Iguro actually get a lot of action scenes because their skills weren’t revealed until the Infinity Castle arc, so it’s a treat to finally see them finally get some action, even if it’s anime original content.

I think the best part about the arc is the added content. In the manga, Tanjiro goes through each Hashira training in a page or two. That’s it. He just sweeps through them like that. Ufotable takes time to help both Tanjiro and the viewers see what he is going through for each training session. Some take weeks to finish.

The first two episode is mainly a rundown of what’s to come for the other episodes and a sneak peak at the Infinity Castle, which finally appears in the season’s finale. It’s mainly the Hashira learning that the Demon Slayer mark that Muichiro and Mitsuri temporarily got back in the previous season is an effective way to take down demons, hence why they decided to hold a training session so Hashiras and the corps can get a boost in power before the big fight. Giyu was the only one who didn’t want to participate in it, so the second episode was just Tanjiro trying to cheer him up and learning why he is detached from the rest—it turned out to be due to self-loathing over the fact that his friend Sabito died while trying to protect him during the Final Selection Exam. Fortunately, Tanjiro was able to get Giyu to cheer up and he recovers well enough to participate in the Hashira Training, which is from Episodes 3 to 7. Also, no one is harking on Shinobu for not participating in the training session; though, she has a reason to not participate…

What I liked about the Hashira Training is learning what Uzui and Muichiro have been up to since their spotlighted arc. In fact, all of the Hashira Training is to get attached to the Hashira before the big showdown. While Uzui has retired, he has been helping out with the training by making the corps do basic training like stamina building and endurance. His three wives Suma, Makio and Hinatsuru tell Tanjiro that Uzui does want to participate in battles again, which worries them. It’s nice to see that the Hashira has their own fair share of worries even after retiring. I don’t think Uzui wants to fight demons out of bloodlust, but it’s more like he wants to help out. Muichiro, after getting his memories and emotions back, is still the same in demeanor, but the way he’s super sweet to Tanjiro but super cold and condescending to the other corps members was hilarious. He clearly has favoritism. I think the best part of these two episodes is seeing Tanjiro motivating the other nameless corps members to work hard! Tanjiro will always be a ray of sunshine to everyone!

Episode 5 is where the Hashira spotlight sort of stops because Mitsuri gets the short end of the stick. While she is still the same after the Swordsmith Village Arc, it would have been nice to learn what has changed for her since then. Though, I would admit that her flexibility training is the scariest of the bunch because getting your legs stretched out all the way when it’s not used to it is terrifying. You need your legs, after all! After that, Mitsuri’s training is done and then Iguro gets most of the spotlight, which makes sense because Iguro isn’t really showcased as much in the manga. Giving him that extra spotlight is necessary. I honestly liked the Iguro training segment because of how it was animated. The first episode showcased Iguro’s Breathing skills and he is able to utilize that in a regular wooden sword. Though, I do admit that Iguro tying up the nameless corps onto poles does make me wonder if they were tied there afterwards on purpose or if they always angered Iguro. After Iguro’s training is Sanemi’s training where it’s just hacking and slashing, but Tanjiro gets the most fatal blows due to his dislike for him. After helping Genya and trying to stop an angry Sanemi, Tanjiro gets a restraining order and is suspended from doing Sanemi’s training. The backstory between Genya and Sanemi was shown in Season 3 and why Genya wanted to apologize. I know that Sanemi does have his reasons for getting angry at Genya and why he was telling him to quit the corps, but he’s not doing a great job on expressing it. I always saw Sanemi as a bit of a foil of Tanjiro in a sense as they’re both the oldest but their treatment of their only living family member is totally different due to how they process the trauma.

Episode 6 is where the comedy starts because it was the most hilarious episode. Just seeing Tanjiro, Zenitsu and Inosuke reunited to do Himejima’s training session was so funny. Tanjiro had to be the mom friend by saving Zenitsu and Inosuke from drowning in two different occasions. Also, learning about Himejima’s backstory in the following episode hurt a lot because the kid who ratted them out to the demon in order to survive was the kid who bullied Zenitsu in his flashback back in Season 1.

Then in the last two episodes, Muzan finally shows up. After making small appearances here and there with new Upper Four Nakime in order to search for Nezuko, Muzan located Ubuyashiki and entered the base. It was amusing that the penultimate episode had him walk for like 5 minutes. Muzan confronts the Master and after talking with each other, the Master launches the craziest bombing I’ve seen in an anime so far. He legit did a suicide bombing with Amane and his two daughters Nichika and Hinaki—if you saw the opening, the Master has 5 kids, so no, his entire family isn’t wiped out. Where are the other three kids? Well, watch the movies to find out.

I think the finale was very memorable because of how everything played out once the bombing happened and how every Demon Slayer Corps got sent into the Infinity Castle in hopes that Muzan will wipe them out for good. It does reflect on what Ubuyashiki said before with how the Demon Slayer Corps are eternity in itself in a similar way to Muzan. In order for Muzan to be eternity, he needs to wipe out his main obstacle so that he can find Nezuko without anything blocking his path.

The animation has been consistent with the quality getting an upgrade whenever there’s an action scene. However, the finale amps up the quality tenfold. The way Himejima attacks and also blocks Muzan’s attacks to seeing Tamayo’s expressions move around from anger to regret were seriously a visual treat. The music was really good too! The finale really amped up the soundtrack. Go Shiina really knows how to produce quality songs—I’ve always been a fan of his pieces as I am a big fan of the Tales series.

All in all, making the Infinity Castle arc into a movie trilogy is actually the best solution because the arc is very long and it mainly consists of fighting the remaining Upper Moons. Trying to condense the arcs into a television series might be difficult due to choppy pacing and untimely cliffhangers. While I’m not necessarily a big anime movie fan, I still do think this is the best route Ufotable can take with a big franchise like Demon Slayer. What are your thoughts for this entire season and your thoughts on the movie trilogy announcement?

[techramonic]

What are some facts or tidbits about Daniel that you don't think is very well-known?

Hey! Thanks for the great question. I have a few things not a lot of people have talked about Daniel, all of which are information taken from his father's book: "Walking in Daniel's Shoes".

Facts about Daniel Mauser

1. Daniel's name came from the Biblical character Daniel and his mother Linda's fondness of Elton John's song titled with the same name. Conner was Linda's maiden name and since she was an only child, it was a way for them to carry her family's last name.

2. In sixth grade, he struggled somewhat with depression. After his mother sent him to a therapist, it was revealed that he was feeling stressed because at the time, he had pneumonia and missed school a few times. He felt that his teacher was pressuring him to catch up. Fortunately, he recovered after a few months.

3. Daniel used to be in cub scouts and boy scouts for a few years. Once school had became more hectic and he was more engaged in piano lessons, he dropped out of the scouts. He had earned basic badges but was not too enthusiastic with scouting long-term.

4. On July 24, 1999, Boy Scout 359 installed a park bench in Daniel’s memory along the South Rim Trail at Roxborough State Park, ten miles south of Columbine. Daniel was once a member of the Boy Scout Troop that preceded 359. Roxborough was the Mauser family’s favorite hiking area.

5. He played chess and won second place in a Denver metro tournament as a member of the school's chest club team. He also won two National Science Olympiad awards, presented to the top ten scorers in general science knowledge.

6. He was an occasional babysitter and was great with kids.

7. He was a Junior Volunteer at Swedish Hospital for two summers and helped in the pharmacy and he expressed interest in working in a medical or medical research field.

8. Despite winning often in games like Super Mario Brothers and even Foosball, his dad had caught on he was getting bored of playing with him, but despite that, he still played whenever he was invited because that was how much he loved his father.

9. He had a keen interest in current events and social issues and was a frequent reader of Time Magazine and viewer of 60 Minutes.

10. His father said he sometimes worried about little things, like if the gas tank in the car was getting too low.

11. He played soccer for a couple of years when he was younger, tried skiing, and played baseball on a YMCA team.

12. Before his death, Daniel's Biology teacher told his mother that he would be receiving an award for outstanding sophomore biology student. It was a supposed secret, one which Daniel never found out.

13. His family was very close. Tom described them as a "Dinner Table Family", who always ate dinner together. According to his father's words, "there was no sneaking off to watch the TV or play on the computer. We are together, talked together, and exchanged stories."

14. Daniel and his sister were close despite their contrasting personalities. Daniel was more like his mother—shy, introspective, intelligent, and calm. His sister Christine was like her father—outgoing, witty, a bit wild and crazy. He would often roll his eyes at her and in an exasperated tone, he would exclaim, "Theater people! Oh, my God!"

15. He had a dry sense of humor and his mom thought he prided himself on being a rational sort of fellow who was not given to drama of any sort.

16. Tom, Daniel's father, grew out of poverty. He came from Finelyville, a small town south of Pittsburgh. His father was a coal miner, his mother was a housewife, and he was the youngest out of four siblings. Tom rarely had pictures of himself. However, he didn't want that to happen with his children, so he would frequently take their pictures and film them to keep memories.

17. Daniel didn't like his pictures being taken when he was a teen. His father would still insist to take pictures for keepsake.

18. When he was fifteen and a half, Daniel was qualified to receive his driver's permit but he said he wasn't ready yet.

19. His nickname in debate class, according to Devon Adams, was "Moose": "So appropriate —it's a large, amusing but quick and fierce when-it-needs-to-be animal."

20. Daniel volunteered to rake the leaves off the lawn of a neighborhood senior citizen's house after he recently had a heartattack.

[mrinafria]

Seen some viewers not liking The Judge from Hell for different reasons, and I think I kind of get why (just my guess). Also, disclaimer (in case it's not obvious enough): I respect and am fine with anyone disagreeing with me and not liking the show for whatever reason.

If you've watched The Devil Judge, then The Judge from Hell is not that. Unlike The Devil Judge, it doesn't have a dark, grim, ominous setup that stays true to that heavy vibe till the end. If you've watched Lucifer, it's not that either. Close but also not really. Unlike Lucifer, The Judge from Hell hasn't shown us an anti-hero/anti-heroine who, underneath the charisma and confidence and tricks and looks, is full of self-loathing, unprocessed angst and human-like emotions. I'm just going off of the 8 episodes of TJFH aired so far. Unlike Lucifer, Justitia doesn't seem to display a subconscious desire not to be misunderstood and abandoned, nor does she feel complex emotions about humans and humanity (it's just starting with Daon she still has a long way to go). We don't see a Fallen/Demon with a semblance of a moral compass here.

Even her "I trust what children say" doesn't mean much because she doesn't do that out of some morality; to her, it's just facts that children are the least crafty and least vile amongst humans. Justitia is very mechanical (and petty even) in what she does- she's not on some great self-discovery or redemption journey in here to even entertain the notion of humanity or morality. If we expect such nuance from her so early on in the story, we maybe setting ourselves up for disappointment. Y'all she's been doing this for Lord knows HOW many hundred years. It's not her first gig. If you have been having coffee at night despite being an insomniac for like three decades, it's highly likely you'd stop thinking or caring about the morality, the 'rightness' of drinking coffee even when it destroys your health.

It's like that for her, to the point where she can, in fact, treat every murder, every crime, every criminal lightly. She's been the judge, jury and executioner all along, and that's the job she needs to do well on earth too. As audience, we may be living on earth longer than she's been but the moment Justitia stepped in, it became 'her world' that we're now getting a peek at.

She's not some vigilante or messiah; just an eccentric, murdering demon from hell who likes Z cola and a pretty wardrobe and Han Daon too- what's wrong with that lol. I remember seeing similar sentiments when Vincenzo was on, because some felt the comedy and humor didn't go well with the overall theme, with a psycho CEO committing all kinds of crimes+ ML's childhood grief and mafia ptsd+ revenge etc. I feel like it was a conscious choice not to make the show so heavy or serious, despite the subject matter. TJFH feels like it treats heavy stuff casually because it is mostly shown through Justitia's lens, and so far, SHE has been treating heavy stuff casually. She really doesn't feel anything emotionally for the girl being in an abusive relationship, or the child being with that horrible excuse of a stepmom. All she sees are the sinners and their sins, and whether they can help her fulfill her mission.

But even that is changing now, gradually, with Justitia/Kang Bitna starting to feel more and more human emotions (props to Daon).

Now, could we have gotten a more nuanced character arc with a serious undertone? Maybe yes, maybe no. The story is yet to unfold fully so I say it's too early to decide that? However, three things that come to mind are: 1. kdramas generally don't get seasons unlike TV series in the US or UK, to explore things gradually with each season geared towards a certain theme or development. Lucifer did what it did in six seasons. 2. I've noticed that unless it's a super horror, super apocalyptic or dystopian show, kdramas like to incorporate humor in their story no matter what genre it is (even shows like The Light in Your Eyes or Moon Lovers or Hi Bye, Mama have their lighthearted moments). Kdramas aren't perfect. Different shows become perfect to different audiences because of their personal preferences. I watch the show because the trailers promised us a fantasy drama with angst between the leads, because it gives me a good laugh, and also maybe because a small part in me kinda sorta lives vicariously through Justitia's ultimate reckoning lol.

I'm actually glad it's not a heavy show because the stuff they've shown so far can be quite disturbing and triggering and I'd be very hesitant to proceed with it if that were the case. 3. I think it's also okay to acknowledge that not all writers/creatives would prefer to do the research needed to pull off certain themes, nuanced character arcs and dynamic, which can leave some viewers wanting more out of a character/show too.

It's fine not to like a hyped drama or a character (happens to me too). But in my opinion, the show is delivering what it promised to deliver initially, and I'm glad it is.

[hellomynameisghostface]

Defending Amber Freeman!!

Hello, fellow "Scream" fans. I would like to take a moment to defend Ghostface #8, Amber Freeman because people in the fandom LOVE to shit on her. They're always finding a reason to say she was a terrible Ghostface (some go as far as saying the worst.) While she does have her flaws (they all do) she is far from the worst and she's actually quite a decent Ghostface, in my opinion.

So let's start at the beginning. Something that always irritates me in this fandom is when people call Amber stupid for using her own phone to make the Ghostface calls but it's actually so smart on many levels. First of all, she's not using her own phone. She actually cloned her own phone and here's how I know. When Ghostface calls Sam in the hospital it comes from Amber's phone, however, in the next scene after the attack we learn that Amber was at the sheriff's station being questioned. Even if she wasn't being questioned at that very moment she would have had to sneak away from Judy and her friends to make the call, causing suspicion. I feel like that's something Judy would have caught. Therefore, this had to be Richie making the call. So he was just using her phone, right? Not quite. In the same scene we see Judy checking out Amber's phone and hands it back to her. When would Richie have had the time to give it back to her? It's actually a lot better plan when you realize they actually cloned her phone to make it authentic. On top of all that...it works! Maybe not for the know it all viewers but from within the movie, no one suspects she actually made the calls herself. Besides, Roman does a similar thing with his voice changer and no one say a damn thing. When talking to Sarah he uses his own voice and we, as an audience, are suppose to believe in that moment it's a voice changer because there's no way they already revealed Ghostface's identity.

Next, let's talk about Dewey. People are mad that this tiny little girl could take him out but did you not see the epic fight scene where she very clearly could not overpower him? Even with all his injuries from the past movies and him just being old and tired he still overpowered her, a young and healthy energetic teenager. It wasn't until she played dead possum and attacked him while his guard was down that she could get a stab in.

And no, she did not lift him off the ground. Please pay attention to detail before you start crying about shit. She pulled the knife up and Dewey's body's first initial response was to go up on his toes with the knifes to try and prevent it from happening as much as possible. In fact, they both had to go on their tippy toes.

Another reason people love to hate on Amber is because her kills on Tara and Chad failed. Meanwhile Billy failed to kill Dewey, Randy and Gale. Nancy failed to kill Dewey. Roman failed to kill Mark. Charlie failed to kill Kirby. Richie failed to kill Mindy. Quinn failed to kill Gale and Mindy. Ethan and Quinn both failed to kill Chad. Wayne and Ethan both failed to kill Kirby. On top of all that, they all failed to kill Sidney, Sam and Tara in their respective movies. Amber letting a few kills slip is fine. She was still smart and a brutal attacker, especially when she knew she had a stronger opponent and needed to go for a fatal attack. In the end she killed the sheriff, ex-sheriff and a deputy.

"Amber was so obvious..." as if that's an excuse. You know who was the MOST obvious Ghostface killer to ever exsist? The very first who this whole damn fandom holds up on a pedestal: Billy Loomis. I mean, my Grandmother who can hardly comprehend the movies or simple basic things anymore knew it was him. Mickey was also super obvious. I've watched so many reaction videos and everyone susses Billy and Mickey so fast so please come up with a better excuse if you're going to trash Amber. I had the movie partially ruined for me (I looked away from the spoiler as fast as I could but I knew it was a young girl with long hair so there was few options of who it could be) so I can't really give my full opinion on how obvious she was but quite honestly I didn't see much evidence that led to her.

Just as a bonus: she has the most epic reveal (fight me.) Even if you suspected her you couldn't have suspected the reveal at that very moment. The way she abruptly pulled out the gun had me shook! "Welcome to act three" = iconic. As much as I love Jill if I see one person say how iconic her reveal was I'll lose it. It might have been shocking and unexpected it was her but her reveal was just her taking off her mask and saying "hello, Sidney. Surprised?" It was just a knock off of Mickey's reveal.

Now this is another that grinds my gears. When Amber faces off Sidney and Gale in the kitchen she cries, begs and pleads for her life. People take this for weakness and consider it another reason she's a terrible Ghostface because "she's the only one to do so." Here's my take on it: the first time Amber pleads for her life immediately after, she provokes Gale by claiming Dewey "died like a pussy." Now if she was truly scared and begging for her life, why would she fuck it up so quickly? She switched up SO fast. It was clearly a tactic to distract them long enough to figure out her next move and it worked. She tried it a second time but it obviously didn't work but I have no doubt in my mind that if it had she would have just attacked them again. She wasn't sorry and had no intentions of ever backing down. Meanwhile, the same people who complain about this are Stu fans and he cries like a little bitch when Sidney tells him she called the cops because his mommy and daddy are going to find out. 🥺 (I love Stu, by the way. I know that sounded aggressive but it's his toxic fans that really irritate me.)

On top of all that, she killed everyone in "Scream V." In my opinion, from the way I analyzed the film, she killed everyone and the only people Richie attacked were Sam in the hospital and Mindy in Amber's living room. You can view my first post to go more in depth, if you're interested.

At the end of the day, if you don't like her then whatever. That's fine. It's your opinion and it's probably not going to change but just say you don't like her and move on. Everything you hate on her for has been done by past Ghostfaces already so go hate on them. Amber was a great Ghostface and Mikey Madison did absolutely amazing in this role. Her going absolutely unhinged at the end is what won me over and made Amber my favorite Ghostface.

[junior-stargazer-goke20]

This already iconic shot from "The Fabelmans" is deeply personal and reflects Steven Spielberg's own journey as a filmmaker. The character Sammy, who is Spielberg's autobiographical avatar, is shown alone in the dark, projecting Super 8 footage onto his hands. This symbolizes Spielberg's early discovery of the magic of cinema. The scene merges Sammy's roles as a filmmaker, viewer, and the screen, suggesting a profound connection between creator and creation. Spielberg sees his own experience in Sammy's awe-struck gaze. The shot also evokes a tactile nostalgia, grounding this moment in the physicality of 20th-century filmmaking before the digital age. Spielberg's signature "awe" takes on added weight here, feeling less like cinematic wonder and more like a reflection of Spielberg's personal awe at the power of storytelling. This tactile, spiritual moment resonates as an homage to his own origins, embodying how Spielberg views cinema as both personal expression and universal experience.

[disformer]

What do you feel is more concerning for children with what is in the EarthSpark series; all of the clear terror and death, or having a they/them pronouned character?

Because the terror and death is seemingly entirely looked over but the ONE CHARACTER going by different pronouns is apparently nothing short of outrage.

Anon, I Am Nonbinary.

I’ll put a more thought out response under the cut

Earthspark drinking game take a sip every time an extremely young child has to emotionally support an adult or is put in life-threatening danger.

1. Steven Universe really ruined a generation of children’s media by making showrunners think they had to tackle issues like PTSD and trauma.

However, to give SU some credit, Steven was not 9 years old at the start of the show. It’s a really jarring choice that was probably made to capitalise on a more marketable demographic for TF and to keep the children’s play more lighthearted, but you get some really weird moments like (checks notes) a nine year old giving advice to an adult on how to handle trauma.

The issue with this is no nine year old should ever have to do this for an adult. They do not need to be wise beyond their years. They do not need to be a therapist for their caretakers. Grimlocks PTSD episode is one of the most egregious examples of this, where (not only is this depiction extremely one-note and weird) the narrative punishes Jawbreaker for not realising Grimlock is having a panic attack in the middle of their play.

As a framing device in a kids movie, what is a nine year old viewer supposed to take from this? The child brain is going to think ‘the adult lashed out and hurt Jawbreaker, it was his fault for being too rowdy.’ LIKE YOU WOULDNT SEE THIS IN PEPPA PIG.

And you do need to consider this when you’re writing children that young in your media, because kids are going to watch shows that have other kids the same age as them in it. There’s an almost instinctive camaraderie in seeing a fellow nine-year-old on TV when you’re at that age. So, the show is very likely going to be watched by 8-15 year olds which brings us to

2. JESUS CHRIST. THIS SHOW NEEDS TO CALM DOWN.

This show is way way way too interested in putting children in extreme danger. Constantly, towards the end of the series.

I’ll make a note first that it’s okay if kids shows have fun play-violence; kids like action. Children like low-stakes explosions. It’s not super serious and most TF media does this well, even if it’s tonally a bit more serious. This is not really an issue in a show like TFP or TFA which also had young kids.

Earthspark does not make its action low-stakes. Earthspark treats its violence extremely seriously; children cry, they scream, they get bruised, their parents wail when they see them in danger. Violence has a lasting impact, it has to because the show constantly wants to talk about trauma, so they can’t have video game rules. If they get hurt it has to impact them. Robbie and Mo are in consistent, life-threatening danger. They’re always being shot at or dropped off cliffs or almost killed and it always harrows them.

And kids can pick up on this. They’re going to realise that this is something that’s Serious, and Scary, and they’re going to be FREAKED out.

They’re also going to be freaked out when the children are fuckin. Tied into the bio-wall with tubes by Mandroid, or when Robbie has alien leukaemia and his parents are so so scared and has to rush him to the hospital and Mo is crying so much, or when their parents are seemingly killed and the kids are screaming and punching the ground and blaming themselves.

And that last part is important, because on several occasions the narrative reinforces this. The narrative. Of a children’s show. Says yes; Robbie and Mo have powers, and this makes them responsible for the well-being of the adults around them. Mo literally gets told this. By GOD. Before her parents proudly watch on without interfering as she fights in hand to hand combat with the villain (WHO IS, AS WE HAVE SEEN, FUCKING DERANGED AND WOULD LOVE TO KILL A TEENAGER JUST ONCE PLEASE PLEASE)

In conclusion, what this tells me is the showrunners are inexperienced. They didn’t consider what is appropriate for the subject matter of a children’s cartoon. They wanted to write about trauma, and war, and think kids are cute! And didn’t want their TF fanfiction to be narratively compromised by having to ‘dumb it down’ for kids.

The result is this is never a show I would ever put on for a 4th grade class in break time, at the risk of severely upsetting a lot of them. And it’s also a show I can’t enjoy as an adult, because it uses the language of a children’s cartoon to make nuanced topics more binarised and soppy.

[undertheorangetree]

How to Improve HOTD S2

This is truly just me feeling frustrated with the second season and screaming into the void. Feel free to ignore it I wrote it at 10pm in a hater spiral and probably have some information wrong

1. Shift away from the Alicent vs Rhaenyra thing and highlight Aegon vs Rhaenyra. It would be hard when zero relationship had been established in season 1 but after Jaehaerys’s murder it would have been SOOO easy to shift the focus of Team Green on to Aegon and make him really want to take Nyra down.

2. Speaking of Nyra I’m begging them to give her some agency. Her son was MURDERED. She spent TEN DAYS SEARCHING FOR HIS BODY. She should’ve been ready and raring to go to war at the end of episode one!! She should be doing everything she can to destroy those who took her baby boy from her!! Instead they had her crying about going to war and no one taking her seriously for 5 episodes. Let her be morally grey I’m begging you she is not a saint nor should she be

3. Introduce Ulf and Hugh WHEN they claimed their dragons. No one cares about their lives yet. Regular viewers don’t know who they are. They can talk backstory once you’ve shown why they’re important

4. While we’re introducing characters GIVE US SOME TIME WITH DAERON. Non book readers have no idea who he is. Establishing his place in Oldtown, the fact that he has a dragon, the dichotomy between himself and his brothers all would have been GREAT to see before they started throwing his name around.

5. More screentime for the younger generation! Helaena lost so much of her arc due to them removing her fall into madness (which I’m not mad at btw) but showing her grief would’ve still been nice. Baela is ride or die for house targaryen and that’s about all we’ve seen from her, plz give my girl some agency. Rhaena is angry about being cast aside and that’s got so much meat for character motivations but EVEN THE WRITERS ARE IGNORING HER AND GIVING HER ONE 30 SECOND SCENE EVERY OTHER EPISODE. Jace is also being done dirty, they should be establishing reasons why we should care about him and why he’s such a good heir before the battle of the gullet (which in an ideal world would’ve been where we ended season 2 but).

6. ENOUGH WITH THE HARRENHAL ARC!! The first few scenes were fine but now it’s just repetitive. Daemon wanting to be king in his own right came out of nowhere and will have zero consequences when we all know Nyra is just going to take him back when he’s done pouting. He’s literally just wandering around Harrenhal like a freak. That arc needed 3 episodes at the absolute max to establish the castle and Alys and the river lords and then he should’ve come back. I hate him but they’re wasting his character.

7. Aemond turning into a super villain?? After we established he regretted what he did to Luke?? Trying to take out his own brother for power is fine and I support you if that’s what you want king but maybe give us some more context other than “brother bullies you in front of his friends”?? Maybe my sister was just mean but that’s an average sibling experience as far as I’m concerned. It would have made more sense with the characterization they had already given him if Aemond had been given no choice but to burn Aegon in order to save him and take out Rhaneys and Meleys. The 180 into anime villain felt way too abrupt (like dany going mad sorry)

8. Alicent and Cole………… as much as I fly the Alicent is gay flag it could’ve made sense if they didn’t just immediately beat us over the head with it. We were immediately thrown in the deep end of them having a sexual relationship with zero context other than “everything you feel for me… as your queen” PERHAPS GIVE US SOMETHING MORE. I actually would have loved Alicent reclaiming her sexuality after 20+ years of having to fuck her rotting old husband but they went about it the wrong way.

9. Speaking of Alicent, I feel like they truly do not know what to do with Alicent. They took away every ounce of agency she could have had in order to make her a victim and now they don’t have anything for her to do. They just keep taking everything from her in a way that just shoves her character in a box while also trying to maintain her as one of the main characters?? It’s just all very odd to me

10. In that same vein, I feel like they don’t really know what to do with ANYONE honestly. Game of Thrones also had a big cast following multiple locations but somehow juggling between them all felt much cleaner than it does here. It’s as if they lose track of their characters and forget about them so they throw in a quick 30 second scene to be like “btw they’re still here!!”

11. I need more character interactions. Aegon/Helaena. Daemon with his children. Just people you expect to have some kind of relationship. I don’t think any of those characters have ever actually had a significant interaction with each other which feels absolutely WILD to me but

12. STOP WITH THE TEAMS!!! STOP IT!!! There is no good guy and bad guy here and there shouldn’t be. It’s a monarchy, a whole ass empire that has its roots in an even worse empire. None of the Targaryens are good. They aren’t gods. Rhaenyra has been completely screwed over due to the patriarchy but being a victim doesn’t make you a good person. She’s still sacrificing the country for her birthright. Let her be evil, morally grey, ANYTHING is better than her pushing against common sense in order to seem like a good guy. Aegon and co as well shouldn’t be portrayed entirely of super villains and victims. They’ve also done a shitty thing but at the very least give us some nuance no one is entirely good or bad.

13. This is nitpicky so it’s at the end but it’s called house of the DRAGON. I wanna see more rider/dragon interaction. I shouldn’t be introduced to a dragon the same episode it’s maimed (Sunfyre). You shouldn’t be telling me one of the main characters has a dragon when we haven’t so much as heard her speak about it (Dreamfyre). If a bond is so important between a dragon and it’s rider I want to see that bond

• IN THAY SAME VEIN why was vermithor letting nyra and daemon get all up in his grill?? They’re bonded dragonriders they’ve got their bestie, he doesn’t. Shouldn’t he have lit them up for that?? What makes them so special?? He’s barbecuing Targaryen bastards left and right but these two get a pass?? Why??

And now for some general overall complaints🫶🏼

1. Fix your pacing I’m begging you. They could have made 8 episodes work if they had let us move through the plots faster but instead there’s so much dead air. After Jaehaerys was killed we should’ve been FLYING through plot points. Two child murders are enough to declare a war started, but we still hadn’t seen any battle until episode 4 and then it stalled out again. Harrenhal doesn’t need this much screentime. You don’t need to hint at Rhaena claiming Sheepstealer for 3+ episodes. We don’t need to hum and ha about going to war for 4 episodes. There should be fewer long shots of the actors faces simply reacting and more SPEAKING. More PLOT. MORE OF ANYTHING TO MOVE THE STORY FORWARD

2. Stop repeating information. Characters constantly beat you over the head with the same information over and over again. One character will tell a person something then a second character tells that same person almost the exact same thing an episode later it’s like no one proofread the script.

3. Why are you having your actors use giant words in order to sound more period accurate?? You don’t need to repeat lickspittle every five seconds. You don’t need to use gainsay or comportment. I promise your audience knows it’s a medieval setting, put the thesaurus down you sound like an idiot

4. It’s almost totally inaccessible for non book readers. I watch with my mom and sister, neither of whom have done any research about ASOIAF but have seen GOT, and I’m constantly explaining shit to them. The showrunners rely too much on people having read them that they don’t explain anything. I know Helaena has a dragon, but they don’t because NO ONE HAS MENTIONED IT BEFORE!! BY THE SECOND SEASON!!

5. This is just a me thing but I would’ve LOVED more regional costuming. We got a hint of it with Sabitha Frey wearing a headpiece when treating with Jace and I love the idea of each region having their own specific fashion trends. The costumes are fine, some are even great, but most are lacklustre and feel too fantasy to me. I’m a history girly I want to see more hoods and headpieces and different shapes in the dresses etc etc.

Despite all this there are still some great scenes!! Aspects of this season were awesome and I think the first two episodes in particular were really strong, there is just so much lost potential this season and it has been really disappointing. I’m still gonna be sat for the finale this week but I hope that they really up their game in season three